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The two stars are not because of the music…Arista has done Barry Manilow and his fans a terrible disservice with this rip-off CD and its two companions. Ten songs each, each guaranteed to leave off plenty of favorites. Plus, the beginning of “Mandy” on this is hissy and it uses the (non-hit) studio version of “Daybreak.” The hit version came from “Barry Manilow Live.” I had to look around to find the out-of-print CD version of the vinyl greatest hits album from 1978, which had 18 tracks. (The original Greatest Hits Vol. 2, also replaced by these atrocities, covered the hits from 1979-1983). Better as well to look for the British import “The Songs 1975-1990″ than to reward Arista U.S. for its greed.
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When it comes to Barry Manilow, he often gets unfair deal when it comes to both the critics and the publics. In addition to being a terrific vocalist, pianist, songwriter, and arranger – Barry Manilow provides the ability to entertain. Much of this comes from the excellent songwriting (whether it’s Manilow’s or third party) and the passion that is delivered by Barry Manilow. Manilow’s career spans more than 30 years – but the peak of Manilow’s career came in the early years of his career that took place in the mid 1970s. While there are many Greatest Hits compilations that are available by Barry Manilow. While Barry Manilow had already released some greatest hits collections, in 1989 Barry would release three CDs. I’m not sure what the logic is behind these re-compilations. While there is still good Barry Manilow music on this collection, I would question why this would be the set you would get.
One thing that makes Barry Manilow’s music special is his ability to work the song and “build it to a climax/crescendo”. The music group Air Supply employed a similar approach with many of their songs. Like Air Supply, Manilow does a fabulous job at building the song to this “climax”. It was during the “peak” period of the mid 1970s where Manilow did this better than he ever did. It is worth listening to the “build up” to a “climax” in many of the Manilow songs such as “Mandy”, “Looks Like We Made It”, “Daybreak”, and “Can’t Smile Without You”. While Barry didn’t write all of these songs, his style works just as well to “build up” the song as it did with the songs he wrote.
The naming of this collection is something that is going to be very confusing. In 1989, Arista Records came out with three new “Greatest Hits” collections, Barry Manilow already had already released two Greatest Hits CDs. In 1978 Barry Manilow released a widely popular Greatest Hits collection called “Barry Manilow Greatest Hits” (I’ll call this “Greatest Hits (1978)” to keep the names straight). This would cover Barry’s material over his first seven albums through 1978. Five years later, Barry would release a follow-on collection called “Barry Manilow Greatest Hits Volume II” (I’ll call this one “Greatest Hits Vol II (1983)”) that would basically contain 11 songs that were done on albums following the 1978 release. Now along comes the three new “Greatest Hits” CDs (which I will call “Greatest Hits Vol 1, 2, 3 (1989)”), and they immediately use a similar naming convention – very confusing.
However, what I don’t like is there really seems to be no rhyme or reason for how the “Greatest Hits Vol 1, 2, or 3″ were assembled. It seems that “Greatest Hits (1978) was split over 1989′s “Greatest Hits Vol 1 and 2″ and “Greatest Hits Vol II” was the basis for “Greatest Hits Vol 3″ – with a few exceptions here and there. At least with “Greatest Hits (1978)” and “Greatest Hits Vol II (1983)”, you could basically look at it and say “Greatest Hits (1978) will provide Manilow’s best work prior to 1978 and “Greatest Hits Vol II (1983)” will provide Manilow’s best work from 1978 through 1983. That is not the case with the 1989 CDs as the Manilow tracks are shuffled. As a result getting one of these CDs might not give you the Manilow songs you want unless you purchase one of the other two volumes.
Focusing on “Greatest Hits Volume 1 (1989)”, most of the songs come from the period prior to 1978. In fact, there is only one post 1978 song and that is “Some Kind of Friend” which is from Manilow’s 1982 “Here Comes the Night” album. If you look at the 10 tracks on “Greatest Hits Volume 1 (1989)”, you will see that the first 9 tracks resemble the order of the tracks on “Greatest Hits (1978)”. With the exception of “Ready to Take a Chance Again”, the order of 9 of the first 10 tracks on “Greatest Hits (1978) is exactly the same as the order of the first 9 tracks on “Greatest Hits Volume 1 (1983)”. The 10th track is “Some Kind of Friend”.
In addition to the “Greatest Hits (1978)” and “Greatest Hits Vol II (1983)”, there are two other Barry Manilow collections worth considering:
“Ultimate Manilow”: This is a 2002 release of 20 tracks. Once again most of the tracks are from “Greatest Hits (1978)” and “Greatest Hits Vol II (1983)”. There are actually three key tracks that aren’t a part of this collection: “New York City Rhythm”, “All the Time”, and “Beautiful Music”. Those three tracks happen to be found on “Greatest Hits (1978)”
“The Essential Barry Manilow”: This is the most comprehensive collection that is available in one package. This Barry Manilow release contains 34 tracks. While this may contain more songs than several of the other Greatest Hits collections, it is still missing one track – “All the Time”.
Another thing that I don’t like about “Greatest Hits Volume 1 (1989)” is that the tracks are not…
It’s not Barry that earned the 3 stars, it’s Arista. This album needs more songs than just the ones listed. All three volumes should be on one CD. Try the Platinum Collection or some other compilation. It’s good music, but you can find more Barry for a lesser price
all on side for these situations.
However, in no way is going outside YouTube, to somehow morally justified just because legal to do, implying that illegal actions are somehow morally wrong. (Something is morally justified if and only if the positive outweighs the negative.)
Boston Greatest Hits
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