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A new film from Lee Chang-dong is always a major event on the cinema calendar. The South Korean auteur has directed six movies since 1997, each one demonstrating his literary sensibilities and keen eye for capturing human despair. And ever since his seventh film, the upcoming “Possible Love,” was announced, cinephiles have been preparing to have their hearts broken. “Possible Love” is loosely based on a segment of Krzysztof Kieślowski’s “Dekalog,” making it the second film of 2026 to take inspiration from the ten-part film that explored modern interpretations of the Ten Commandments. The film explores the secrets hidden beneath marriages, following two married couples whose lives intersect while filming a documentary together. “Possible Love” stars Jeon Do-yeon, Sul Kyung-gu, Zo In-sung, and Cho Yeo-jeong. Lee co-wrote the film with Oh Jung-mi. An official synopsis for the film reads: A laid-off worker and his wife cross paths with a documentary filmmaker

Welcome to It’s a Hit! In this series, IndieWire speaks to creators and showrunners behind a few of our favorite television programs about the moment they realized their show was breaking big. “It’s crazy, but every once in a while it’s a hit right away,” said “SubwayTakes” co-creator and host Kareem Rahma, during a recent conversation with IndieWire over Zoom. In fact, his Emmy-nominated Short Form series had a proven audience before it even premiered. “I posted a trailer and the trailer got a million views. And I go, ‘Oh my God.’ Trailers don’t get a million views, because they’re trailers,” he said with disdain. “And then the first episode got two or three million views. And I was shocked and really scared and really nervous because I was like, ‘Oh no, I’m not prepared for this.’” Rahma has been open about how the

It’s been just over a week since IndieWire visited the historic Bruin Theatre in Westwood, Los Angeles, where a small team of four film enthusiasts recently set out to restore the 1937 movie palace by October. IndieWire has learned they’re already fracturing — with at least two people now exiting the project amid allegations facing Rui Pereira, the Canadian theater operator who signed the Bruin’s lease back in July. The allegations currently destabilizing the new L.A. revival project originated thousands of miles away, and years before Pereira set his sights on Westwood. Pereira began operating Toronto’s independent Kingsway Theatre in 2009 and later reopened the city’s historic Humber Cinema in 2011, where a dispute with his landlord ultimately landed in court before the theater closed and was demolished years later. Across those years, Pereira’s conduct generated controversies and public disputes throughout Toronto’s film community. And in recent weeks,

“Superman: Man of Tomorrow” is one step closer to soaring into theaters. Writer and director James Gunn revealed on Threads that “Superman: Man of Tomorrow” has officially wrapped filming. “That’s a wrap on principal photography for ‘Man of Tomorrow,’” Gunn wrote in his post, accompanied by two photographs with the crew. “Truly a joyful experience and I have immense gratitude to my cast and crew. First photo: [Nicholas Hoult] jumped in the lake after last shot. Second photo: The brain trust (except Brian) around video village during the whole shoot. They make making movies fun.” “Superman: Man of Tomorrow” is the sequel to 2025’s “Superman,” with David Corenswet returning as the Man of Steel. In the sequel, Superman is forced to team up with his adversary Lex Luthor (Nicholas Hoult) as they work to defeat an even bigger threat: the super-intelligent antagonist Brainiac (Lars Eidinger). Rachel Brosnahan is back as Lois Lane.

Netflix said on Wednesday that its previously untitled feature in which Brad Pitt reprises his role as the stuntman from Once Upon A Time In Hollywood is called The Further Mis-Adventures Of Cliff Booth. David Fincher directs the potential awards contender from Quentin Tarantino’s screenplay and the film will open exclusively in Imax for two weeks starting on November 25 before it debuts on the platform on December 23. The Further Mis-Adventures Of Cliff Booth sees Pitt reprise his Oscar-winning role as the unflappable stuntman as the action picks up in 1977, roughly eight years after events in Tarantino’s Once Upon A Time In Hollywood.

I don't think there was anything Tim Curry couldn't do. The formidable British-born performer, who passed away at the age of 80 on August 25, 2026, after over a decade of difficult health struggles, did everything from comedy to drama to stage work to voice roles throughout his career, which spanned nearly six full decades. From his work in the original cast of "Hair" — which led directly to the stage production of "The Rocky Horror Picture Show" (put a pin in that) — to his years on both the big and small screens, Curry was one of the most beloved and recognizable presences in the entertainment industry. Receiving the news of his passing was,

Editor’s note: This is the twelfth chapter of “A Producer’s Path,” an ongoing column for IndieWire’s Future of Filmmaking from independent producer Daren Smith. Read previous chapters here. Q: How do independent films normally get screens in theaters? A: They don’t. We see it time and time again. Indie filmmakers put all of their energy into making the movie, then when it comes time to get the film to an audience, a lot of hope is involved. As I’ve said before, hope is a terrible strategy. Raising as much money as you can, shooting the film, then hoping it gets into a festival in hopes that someone offers to distribute it. You end up with a finished film, a trailer, maybe a laurel or two, and no reason for a booker to believe in you. If you do manage to get distribution, the showtimes often

Chile’s Film Academy has selected “The Meltdown” (“El deshielo”) by Manuela Martelli, her post-Pinochet mystery drama set in an Andes ski resort, to represent the country in the Best International Feature category at the 2027 Academy Awards. Martelli’s follow-up to her acclaimed drama “Chile, 1976” had its world premiere at Cannes’ prominent strand Un Certain Regard this year. Said Gabriel Díaz, president of the Chilean Academy: “These have been days of watching excellent national premieres. For the first time in history, half of the submitted films were directed by women, which speaks to an industry that is modernizing and evolving healthily.” “All received state support and the vast majority are international co-productions, which has boosted the multiplier effect of the audiovisual industry in various sectors of the national economy,” she added. News comes not long after Mubi announced it was picking up Latin American streaming rights to the drama