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Dr. Robby is back! (As if there was any question.) While fans of HBO Max’s lauded series “The Pitt” will have to wait until January 2027 to see the third season of the hospital drama, the streamer has very thoughtfully released a new teaser and some first look photos to give a little taste of what’s to come. Top of mind: stress, very needy patients, and star Noah Wyle’s Dr. Robby, back from (presumably?) the motorcycle trip he embarked on at the end of the second season. So, how’s he doing? As Wyle tells us in voiceover, as much as Dr. Robby was ready for a hard first day, this one might take the cake. As for the rest of his Pitt compatriots? Well, it’s just another day in the E.R. for them (read: tough). Such is life on the night shift at one of TV’s most indelible workplaces.

For aspiring filmmakers, there is no classroom quite like the Cannes Film Festival. Each spring, filmmakers, studio executives, producers, distributors, and creatives from around the globe gather on the French Riviera for the world’s most influential film festival and marketplace. For many students, attending Cannes is a dream. For Savannah College of Art and Design (Scad) students, it is an opportunity to gain firsthand industry experience while still earning their degrees. For the second consecutive year, students studying abroad at Scad Lacoste in Provence, France, traveled to the Cannes Film Festival through Scad’s partnership with The American Pavilion and IndieWire’s Future of Filmmaking program. There, students attended industry events, connected with entertainment professionals, and shared their own stories through interviews with IndieWire. The experience reflects Scad’s distinctive approach to film education. Home to Scad Film Studios — the largest film and television studio complex in higher education

The actor, who plays Red Guardian in the film, made a cryptic comment to Variety that raised more Robert Downey Jr-shaped questions than answers. But was it a clanger, or expert trolling? Nobody knows exactly what solemn blood oaths Marvel uses to prevent spoilers. But we do know that Andrew Garfield spent most of the run-up to 2021’s Spider-Man: No Way Home – in which he would eventually turn up as one of two secret Spideys – behaving as if Kevin Feige was standing behind him, holding up a giant card saying: You Have Never Met Tobey Maguire. So we can imagine it’s pretty full on. Why, then, has Avengers: Doomsday

David Hackl is set to direct the neo-noir action thriller “Solar Storm” for Pelican Pictures, from a script by Joe Rabl. Jack Hudson (“The Devil’s Train”) stars and produces opposite Lorena Andrea (“Warrior Nun”). Unfolding over a single catastrophic day, “Solar Storm” follows Joe (Hudson), an ex-convict fighting to leave his past behind, whose path collides with Jasmine (Andrea), a woman desperate to escape a brutal marriage. When the largest solar storm in recorded history knocks out power, communications and order across the city, blackouts spiral into looting and riots. As the line between predator and prey burns away, the two go on the run through 24 hours of darkness — hunted by forces that may prove more dangerous than the storm overhead. “Joe is a man who’s done everything to leave his past behind, only to have the world itself collapse around him,” Hudson said. “The solar storm doesn

What a slap in the face for Christopher Nolan. The Oscar winner and generation-defining talent spent three years writing, directing, producing and editing “The Odyssey,” making his movie into its own kind of myth: a hand-crafted spectacle shot across six continents on the most rarefied cameras in the world, powered by the biggest stars and designed to be seen exclusively in movie theaters. But after only eight days of wide release last month, millions of viewers globally watched a pirated version of Matt Damon’s struggle to return to Ithaca on the social platform X. Audio and visual quality was as premium as the site could handle, and pixels on smartphones broadcast Nolan’s labor of love for free before it was yanked over copyright violation. This is the lawless new universe of piracy. In the ’90s, outlaws in the aisles filmed “Jurassic Park” on camcorders and sold copies on street corners.

We're just over halfway through 2026, but we already have a reason to look forward to 2027: "The Pitt" is sticking to its impressive annual schedule, joining Apple TV's "Slow Horses" as one of the most consistent (and consistently great) shows of the modern era. No three year gaps between seasons here. Just Dr. Robby (who did Not die!) and a whole bunch of emergency department chaos coming our way in January of 2027. The Emmy-winning juggernaut series returns for its third season, and the first trailer gives us glimpses of Robby (Noah Wyle), Nurse Dana (Katherine Lanasa), Dr. Langdon (Patrick Ball), Dr. Santos (Isa Briones), Dr. Whitaker (Gerran Howell), Dr. King (Taylor Dearden), Dr.

The Toronto Intl. Film Festival’s Market, which runs Sept. 10-16, has added Seth Rogen, Colman Domingo and Danny Boyle to its list of speakers. The industry program, known as TIFF: The Market, has finalized its lineup and schedule of its conference program, the Summit, which has more than 70 sessions. Rogen and Boyle join The Visionaries strand, which features moderated conversations with “leading creators, executives and innovators forging unique paths in the global screen sector.” Rogen stars in two films at the festival: “Babies,” directed by Lauren Miller Rogen, and “Tangles,” an animated film that Rogen and Miller Rogen produced. Rogen will discuss these two films as well as his other projects, including “The Studio’s” upcoming Season 2. Boyle will reflect on his career and talk about his new feature, “Ink,” which opens Venice. Previously announced headliners include actor Gary Oldman, director Lee Chang-dong and producer Robbie Brenner. Another stand,

The Deauville American Film Festival has unveiled the lineup of films screening at the upcoming 2026 edition, including numerous French premieres for some the year’s buzziest movies. Among the titles set to land at the festival in the French seaside town are Florian Zeller’s “Bunker,” fresh from its world premiere in Venice, plus “Butterfly Jam” from Kantemir Balaov, Andy Garcia’s “Diamond,” Nicolas Winding Refn’s latest feature “Her Private Hell,” Olivia Wilde’s “The Invite,” which recently released in the U.S. to acclaim, “Mother Mary” from David Lowery, Jane Schoenbrun’s “Teenage Sex and Death at Camp Miasma” and Ira Sachs “The Man I Love.” Meanwhile, the festival competition packs a decent punch. The 13-strong lineup includes Jordan Firstman’s Cannes breakout “Club Kid,” Casey Affleck’s Venice-bowing “Company” and Berlinale winner “Everybody Digs Bill Evans.” Other films competing are “A Prayer for the Dying,” “Here I’m Alive,