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Movie · 2028

Movie · 2027

Editor’s Note: This review was originally published during the 2026 Berlin Film Festival. Mubi releases “Rosebush Pruning” in select theaters starting Friday, July 24. The most uncomfortable scene in “Rosebush Pruning” doesn’t involve violence or sexual perversity, although these elements are regularly entangled throughout. No, it’s when Jack (Jamie Bell) brings his new girlfriend to meet his family for lunch. These things are often awkward at the best of times and with the best of families, but this oddball mess of a household might just be the actual worst. Awkward giggles and ruthless stares punctuate silence until the blind matriarch (played by Tracy Letts) asks his daughter to describe Martha’s (Elle Fanning) appearance to him in exhaustive detail. The obvious price gap between her Zara dress and the Bottega handbag gifted to her by Jack is cruelly teased out in what would usually be the turning point of a scene like this.

Netflix has opened up "Little House on the Prairie" to an entirely new generation. The streamer only just released the first season of its new TV show adaptation of the best-selling, classic book series by Laura Ingalls Wilder. Those beloved books, of course, were previously adapted into an NBC show that kicked off in 1974 and ultimately ran for 200 episodes. NBC's "Little House on the Prairie" even starred a young Jason Bateman. This new iteration, however, is a more grounded family drama. Developed by showrunner Rebecca Sonnenshine, Netflix's series is part hopeful family drama, part epic survival tale, and part origin story of the American West. As Netflix puts it, the

In 1986, actor Jason Patric got his first starring role in a movie, and he was excited. It was to be produced by Mel Brooks‘ Brooksfilms, a company that was on a hot streak, having released “My Favorite Year,” David Cronenberg‘s “The Fly,” and several other movies now considered to be classics. “They had just made ‘Frances’ and ’84 Charing Cross Road,’ and a couple of years before that, ‘The Elephant Man,'” Patric told IndieWire. “This was the biggest and most respected independent company at that time.” Unfortunately, the movie Patric signed on for turned out to be one of Brooksfilms’ rare missteps, a nonsensical teenage riff on “Rollerball” and “Mad Max” called “Solarbabies.” Upon arriving on location in Spain, Patric quickly realized the movie was a disaster. “I got there and just went, ‘Oh my God,'” Patric said. By the time the shoot was over, Patric wasn’t

Back in February 2026, Neon released one of the best comedies of the year. Honestly, it's probably one of the best comedies of the decade. It's called "Nirvanna the Band the Show the Movie." The movie follows Canadian comedic duo Matt Johnson and Jay McCarrol as exaggerated versions of themselves trying to land a gig at the Toronto venue The Rivoli. Of course, they try to achieve their dream in the most roundabout way possible, and the result is a hilarious movie that riffs on "Back to the Future" in an immensely satisfying fashion. What you might not know, if this was your first encounter with Matt Johnson and Jay McCarrol is,

Christopher Nolan’s film adaptation of “The Odyssey” is a bona fide cultural phenomenon, shattering box office projections with a $264.1 million worldwide gross its opening weekend, earning rave reviews from critics, unleashing a tidal wave of Oscar buzz and causing such a frenzy for Imax 70mm tickets that moviegoers have gone as far as embarking on cross-country trips and delaying pregnancies to see it. The enormous popularity of Nolan’s summer blockbuster, which stars Matt Damon as Odysseus, who crosses paths with goddesses, sirens, a cyclops, armored giants and a Scylla during his decade-long return to Ithaca — where his wife and son, played by Anne Hathaway and Tom Holland, have been fending off a hall of scheming suitors vying for her hand and his throne — following the events of the Trojan War, has also boosted sales of the book version of Homer’s nearly 3,000-year-old tale, as sales across all

Towards the end of Connor Sen Warnick’s debut “Characters Disappearing,” members of the I Wor Kuen, a radical Marxist Chinese-American group operating in New York’s Chinatown in the 1970s, convene for a film screening. Mei (Yuka Murakami) is projecting a 16mm print of “The East is Red” (1965) on a bedsheet for her fellow radicals seated on fold-out chairs on an outdoor basketball court. Shot in 2022 but set in the 1970s, the warmth of Mei’s projector light contrasts with the white LED lights from passing cars, a temporally porous mise-en-scène that Warnick exploits throughout his film. This is not the only present-tense intrusion into Warnick’s period piece, which follows twenty-something cousins Mei and Chris (played by Warnick) in 1970s Chinatown. The little-interrogated and yet underlying tension of every period film — the suspension of our temporal bearings — is essential to his project. Shot during the pandemic, modern cars,