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Online dating’s eternal bugbear reaches a horrific apotheosis in this funny, grimy and impishly directed shocker Paola (Humberly González) is a pretty young woman about to turn 30 who hasn’t found herself a steady boyfriend – so, like many people of her generation, she’s on all the dating apps. The algorithm finds her match in Henry, who looks clean cut and kind eyed – or, at least, that’s what he seems from a very short video conversation on the phone, which breaks up due to bad signal. Paola’s sister Maria (Shaeane Jimenez) is visiting town because her and Paola’s father (Peter Butler) is going in for an operation,

Hayden Panettiere’s ex Wladimir Klitschko, who is the father of her 11-year-old daughter Kaya, is mourning the actress following her death on Sunday at the age of 36. In an Instagram post late Monday night, the heavyweight boxing champion wrote that his “family is going through a time of profound shock and grief.” He continued: “The announcement of Hayden’s tragic death saddens me deeply. She left this world far too soon. Hayden was, although no longer my partner, an important part of my life and the mother of our daughter, Kaya. She built an incredible career through immense talent, while also facing the darker sides of a very demanding industry. Nothing will erase the times we shared or the place she had in our lives.” Klitschko and Panettiere dated on and off for nearly a decade beginning in 2009, and were at one point engaged before Panettiere gave birth to their daughter,

Critics might have been sniffy back in 2001 but the silly summer camp comedy has endured and director David Wain has been enjoying the ‘slow-burn’ appreciation In the summer of 2001, the film critic Roger Ebert wrote a scathing film review in song form, with lyrics set to the tune of a classic song about summer camp. “Hello muddah, hello fadduh / Here I am at Wet Hot American Summah,” it began. The review proceeded to mock the film Wet Hot American Summer in rhyme. Twenty-five years later, the film’s director and co-writer, David Wain, joined several of its stars on the vast lawn of the Autry Museum in Los Angeles to

Exclusive: Production is underway in London on crime thriller sequel Villain: The Next Chapter, with Vertigo Releasing acquiring UK distribution rights ahead of a theatrical release. The film is the directorial debut of Neil Linpow, from a screenplay by Greg Hall and George Russo. It is produced by Ian Sharp, Jason Maza and Allan Niblo, with James Fuller co-producing. Craig Fairbrass returns to lead the cast as Eddie Franks, a former criminal trying to leave his old life behind, who discovers that the past isn’t finished with him. David O’Hara, Percelle Ascott, Frederick Schmidt and Francis Mcgee are alongside Fairbrass on the cast.

Exclusive: South Korea’s Barunson E&a has sold fantasy animated feature Gill to key territories in Europe and Asia, while a fresh voice cast of local stars have stepped to in re-record the dialogue. The film has been acquired for German-speaking Europe (Wild Bunch Germany), Japan (Kddi), Cis (Deep Ent), Mongolia (Filmbridge), Taiwan (Cola Films) and airlines (Kairos Distribution). It is set for a local release in Korean cinemas on September 9. Directed by Ahn Jae-huun, Gill premiered in competition at Annecy in 2024 before going on a long festival run that included Bucheon International Animation Festival, Tokyo International Film Festival and London Frightfest.

Stars Collective has acquired the Mandarin-language remake rights to “Thelma,” the 2024 Sundance Film Festival breakout that became Magnolia Pictures’ highest-grossing narrative feature, and is developing an adaptation titled “Grandma, Please.” In “Grandma, Please,” an 80-year-old grandmother is swindled out of her life savings by a scammer who uses AI to clone her late husband’s voice. Rather than involve the police or worry her children, she decides to track down the culprit herself – a search that reunites her with an old flame from 60 years earlier, once a basketball team captain and now a resident of a care home. Their journey together turns into a road trip blending comedy with more emotional beats. The original “Thelma,” written and directed by Josh Margolin and produced by Zurich Avenue and Bandwagon, starred a then-93-year-old June Squibb in the title role, with Parker Posey as her uptight daughter and Fred Hechinger as her grandson.

Josephine Ahnelt’s gentle but truthful documentary has home-movie intimacy and some incredibly touching moments As a piece of art depicting motherhood, Judith Rohrmoser’s self-portrait of breastfeeding sticks two fingers up at the tradition of the Madonna with child. In her painting, Rohrmoser’s baby feeds contentedly, chubby cheeked and sleepy under damp lashes. The artist is less serene, looking directly at us, headphones clamped over her ears, eyes filled with what might be a roar of grief, or possibly an overwhelming sense that everything has changed. Rohrmoser is one of five women who agreed to be filmed at their most vulnerable in the first year of motherhood for this Austrian documentary.

Sony’s superhero tentpole “Spider-Man: Brand New Day” dominated the U.K. and Ireland box office for a third consecutive weekend, adding £6.1 million ($8.3 million), elevating its running total to $106.5 million after 20 days of release. Universal’s epic “The Odyssey” held onto second place in its fifth frame. Directed by Christopher Nolan, the wide release collected $5 million, driving its cume to $93.4 million. Warner Bros.’ “The End of Oak Street,” starring Anne Hathaway and Ewan McGregor, arrived in third place with an opening weekend of $2.8 million. Trafalgar Releasing claimed fourth spot with the wide event cinema launch of music doc “Katseye: Wild Hearts,” which banked $981,457 in its debut frame. Paramount’s “Paw Patrol: The Dino Movie” moved to fifth position in its second weekend, adding £$940,306 for a cumulative total of $4.3 million. Disney took sixth place with “Toy Story 5,” which added £$714,080 in its ninth frame to lift its running total to $74.7 million.